![video noise reduction using magic lantern video noise reduction using magic lantern](https://tempest2bassviols.files.wordpress.com/2015/02/lantern-2.jpg)
(Magic Lantern notes that you should DISABLE THIS if you are monitoring using an SD monitor) This lets you monitor your audio through headphones using and A/V cable. Just turn it OFF and adjust your audio with the ANALOG GAIN. This is a digital algorithm that your camera uses to try to even out the sound levels. This is best left ON if you plan on recording scratch audio with your on board mic to match up with “good” audio later. This is the power to your internal mic and some of your external mics. (Have you tried blocking the wind? Deadcat? Putting a sock over your boom mic?) Use this if you are shooting outside and you just CANNOT get clean audio and you have exhausted all your other options. L:int R:balanced – this will use the internal mic to record on the left channel, and use the LEFT AND RIGHT channels from your recorder as a single channel in the mix.Īuto int/ext : the camera detects when a mic is plugged in and does the thinking for you. L: Int R: ext– This is if you want to use an external recorder and also use a mic running into your cameraĮxternal Stereo – for using mics that are plugged in from an outside source. This lets you determine where you want your recording sound to come from: If you have to adjust gain- you are much better off doing it through your pre-amp or recording device that has dedicated hardware to give you a cleaner sound. This is to digitally control how much gain is going into each channel It’s a nice feature to have, and can be handy if you have multiple people on different lav mics that are feeding into the same source. You best bet is to get the talent as close to the mic as possible and set your levels so that they don’t clip, even if they were to shout or scream. If you keep it very low, you won’t have to worry about clipping, but you will have to bring up your volume levels in post to make sure you can hear your talent, and doing that will also bring up any background noise that was in the shot as well. The higher you can go, cleaner your sound, but you also risk clipping if someone shouts or there is a loud truck passing by. You want to adjust this so that you have a recording level that is between -24 and -12 db. This allows you to control how much gain goes into BOTH your channels at the same time.
Video noise reduction using magic lantern manual#
Fortunately for you, your camera has built in manual audio control.) (If you are using a Canon 600D, this menu doesn’t appear in your Magic Lantern. Still, using single system audio will shorten your turnaround time considerably.
![video noise reduction using magic lantern video noise reduction using magic lantern](https://wiki.magiclantern.fm/_media/01.audio.png)
The on-camera audio is really awful, and wiring in a quality pre-amp and mic gives acceptable results at best. Audio has been one of the weakest features on DSLRs.